It’s about time Broadway shook things up a bit. Finally branching out from cookie-cutter shows set in the early-to-mid 20th century, the theatrical world recently expanded its reach and embraced a new style, a new sound and a new demographic with the musical In the Heights. Representing more than America’s often ignored Latino community, the show portrays the real world via Brother Ali-type rapping, hip-hop dancing (complete with break dancing circles and some impressive pop-n-lock), and music that grooves with a driving beat and extreme dynamics.

Although the show has been compared to musicals such as RENT and West Side Story, it defies being typecast as the child of past productions. Basing the story on his own experiences growing up, composter/lyricist Lin-Manuel Miranda, 29, sought to go beyond the barriers of typical Broadway plays with In the Heights. And he did. Authenticity permeates the stage with bilingual lyrics and conversation; Nike high-tops and low-cut, form-fitting dresses; and dance scenes so natural it feels like you’re at a discoteca. Although the rapid-speed Spanish may throw some people for a loop, it flows in and out of dialogue smoothly enough that audience members can follow along while still getting a taste of a true Latino experience.

The story focuses on a tight-knit Latino bodega (neighborhood) in Manhattan. The cast is relatively small compared to most Broadway productions, which allows the audience to really connect with individual characters. Focusing on community and change, the show is fast-paced, energetic and intense. Each song has a unique flavor and is stylized to personify the character singing. The plot containts multiple stories taking place simultaneously. While this could be confusing, they are explained and developed just enough that you're able to follow without being tedious.

Incredibly refreshing and raw, In the Heights takes real situations affecting real people and puts them onto the stage. Sure, there are still the typical musical theater aspects of the show – a choreographed fight scene, for instance – but there are relatively few. Never dull or predictable, the show focuses on family, friendship, work and perseverance. A step toward freeing the stage from stereotypical musicals, In the Heights successfully bridges the gap between reality and theater with flair.

Playing through Sunday, December 6
7:30 p.m.
$28 - $78

Orpheum Theater
910 Hennepin Ave., Mpls.